Best Mixing Subwoofers
Owning an expert studio-quality subwoofer isn’t only a fantasy reserved for audiophiles. Keep in mind, the professionals don’t settle for any old audio system so consumer-grade subwoofers are out of the question totally. These usually add their very own EQ curves to make things sound good to the common user on a specific setup like a home theater.
Whereas this can be good for an AV experience, it will drastically detract from the mixing and mastering process as you aren’t getting a balanced bass response.
The ‘2.1-setup’ is more and more becoming usual in home studios and mid-sized recording setups with acoustic treatment, so balancing the low end correctly has never been more important.
With concerns like power availability, crossover frequency, enclosure, and connectivity – choosing a subwoofer for your studio might be torture if you get lost within the myriad choices out there – all claiming to be the next smartest thing.
Here in our article, we will try to narrow it down to the best studio monitor subwoofers to help you out with choosing your next big monitoring system in terms of low frequencies.
We just want to let you know that we’ll list these best studio subwoofer reviews in no particular order. They’ll be randomized as we don’t wish to sort them from best to worst.
Listed below are our Top 10 Best Mixing Subwoofers for 2023:
1. Neumann KH 750 10 inch Powered Studio Subwoofer
The Neumann KH 750 DSP Studio Monitors is a fairly compact DSP-controlled subwoofer designed for utilization in small studios. Geared up with the highly effective 10-inch driver, the KH750 will deliver very deep bass and lighting quick transient response. Furthermore, you’ll be able to set up, align, and calibrate the Neumann KH750 DSP remotely utilizing the Neumann app.
The compact Neumann KH750 DSP is a distinctive subwoofer and the best selection for smaller rooms and comparatively studio monitors. It encompasses a distinctive and versatile Bass Manager (2.0/0.1), analog and digital inputs, 4 completely different routing models, and adaptable acoustic controls for use in numerous configurations.
It has a 10-inch long-throw driver that has a powerful linear working magnet system with ELFF (Extremely Linear Force Factor) technology. As subwoofers are mostly positioned on the ground, a strong grille will defend the driver from unintended harm. The ultra-compact cabinet is a closed design that brings the quickest possible transient response.
The 2 analog XLR inputs are well-balanced and so are the 2 analog XLR outputs. The 192kHz/24-bit digital input accepts AES3 and S/P-DIF indicators.
Furthermore, there’s a bypassable standby function and switch-off time that may be adjusted in the Neumann Control iPad app. The Neumann KH750 DSP can be utilized in music, broadcast, and post-production for mixing, mastering, and recording.
2. Genelec 7040A 6.5 inch Powered Studio Subwoofer
Offered in a darkish grey producer finish, the Genelec 7040A Studio Subwoofer is a studio subwoofer designed to offer a correct low-frequency replica in limited production spaces. Its small footprint fits project studios, mobile vans, and transportable recording systems.
This sub is the best complement to Genelec 8010A and 8020A studio monitors. It extends the low-frequency response all the way down to 30 Hz and uses Genelec’s patented Laminar Spiral Enclosure (LSE) expertise to offer each precise bass articulation and prolonged low-frequency capability.
When utilized in a stereo system, the sub can produce 100 dB of undistorted SPL via its 6.5″ woofer, and its highly effective Class-D amplifier.
Balanced XLR connectors are used for both the audio inputs and outputs. The bass-management unit within the 7040A subwoofer splits the input into low- and high-frequency elements at 85 Hz.
Frequencies beneath 85 Hz are reproduced by the subwoofer. Frequencies above 85 Hz are directed via the subwoofer’s output connectors to the primary monitors. The subwoofer’s outputs have an identical level as the inputs.
Two BASS ROLL-OFF switches present bass-response adjustment to compensate for the acoustical setting in three 2 dB steps. Also, it has a phase switch to set them right with the monitors. The phase could be adjusted in 90-degree increments between 0 and -270°.
3. ADAM Audio Sub8 8.5-inch Powered Studio Subwoofer
The ADAM Audio Sub8 Subwoofer is one more winner from Adam Audio. Created for tighter control rooms which can be up to twenty square meters, the Sub8 produces highly effective sound with that signature Adam Audio quality.
In case you have been searching for a robust subwoofer that extends the low-frequency range coming from any monitoring system, the Sub8 subwoofer is worth listening to.
The Adam Audio Sub8 is a small-room subwoofer with a robust tweeter and low-frequency range extension capability. The Sub8 may be described as a mid-range subwoofer, whether or not it is regarding the way it can deal with low frequencies or its cost. It’s made up of an 8.5-inch woofer that has a 1.5-inch voice coil that’s powered by a 160-watt ICE Power amplifier.
The Sub8 is a small but highly effective subwoofer designed to increase the low-frequency capabilities of any nearfield monitoring system all the way down to 28Hz.
Due to the linear bass reproduction within the Adam Audio Sub8, they’re a fantastic addition to small studios. The Sub8 is Adam Audio’s smallest subwoofer within the group. Even with its small cone, it could provide a really low-frequency response (up to 28 Hz).
Do you additionally get to enjoy the most sound pressure level (SPL) of 1 m? 110 dB and really high efficiency on the amplifier that has been estimated to be 160 watts PWM. Additionally, you will discover that the 8.5-inch woofer has a particular paper diaphragm.
4. Yamaha HS8S 8 inch Powered Studio Subwoofer
In case you’re working in a little studio area (say, a modified wardrobe or shed), a subwoofer as incredible as the HS8S is likely to mean a lot to you. It very effectively may be out and out agitating, and it may invalidate the purpose of including a subwoofer by contorting or overwhelming the sound rather than explaining it.
It has two sorts of inputs. XLR and TRS. It doesn’t matter what type of lines you need to run into it, you’ve got the potential you need.
In case you have microphone cables, or common instrument cables with a 1/4″ jack, you’ve got the connections needed to take action. With high and low cut switches, you possibly can protect the audio system you are working with to keep away from blowouts.
The woofer has mounting holes on the sides and ends, so if in case you have a studio space where you need to mount it off the ground, you are able to do so. Additionally, it is fairly light at 27.5lbs, making it attainable to take this woofer with you on the road.
The Yamaha HS8S 8″ powered studio subwoofer is a deep-end sub, that can round out the sound you are working with. It has an 8″ subwoofer that provides bass level right down to 22Hz.
It has been engineered with a 150W amplifier, constructed particularly for bass frequencies. For those who’re searching for a subwoofer to help beef up your engineering, live sound, or music listening, the Yamaha HS8S will be the right one for you.
5. Mackie MRS 10 10 inch Powered Studio Subwoofer
The right studio companion, this Mackie MRS10 10” Active Studio Subwoofer has been designed with the trendy musician, sound engineer, or music producer in mind to deliver unmatched accuracy, pure bass, and bass clarity.
Ultimate for music with heavy low-end tones, this excellent deep-sounding Mackie MRS10 sub gives a deep, prolonged response for full musical expertise with 120-watts of Class-D amplification. A built-in adjustable crossover point lets users set their very best ranges to match their monitors.
For a modest price, the Mackie MRS10 can take you to that place. Feel the crush of a well-recorded kick drum and the sheer magnitude of a monster synth bass. To record frequencies this low, you’ve got to have the ability to hear them correctly.
Together with Mackie’s MR sequence studio monitors (or other strong main monitors), the MRS10 provides you “large monitor” capabilities (together with the flexibility to impress the heck out your clients).
Additionally, with the MRS10, there’s a polarity switch between 0 and 180-degrees and the included footswitch can bypass the subwoofer to make displays full range.
On-board the MRS10 subwoofers are stereo XLR and TRS inputs/outputs for versatile connections. The all-wood building ensures sturdiness while rubber feet soak up vibrations to withstand undesirable floor noise.
However, no matter what your primary monitors are, your recordings will profit from the full-range monitoring a subwoofer brings. Add a Mackie MRS10 to your monitoring setup and listen to what you’ve got been lacking.
6. Dynaudio 18S Dual 9.5 inch Powered Studio Subwoofer
Are you bored with trying to gauge the bottom end of your recordings? Dynaudio’s 18S is a critical, pro-grade subwoofer that will get you tightly right down to 16Hz.
You may feel the crush of a well-recorded kick drum. The complete weight of a 5-string bass. You may additionally be able to determine any low-frequency mud that must be cleaned up. To correctly record frequencies this low, you have got to be able to hear them.
Including the 18S in your monitoring setup opens up a brand new world of performance that allows you to record, mix, and master with meticulous accuracy – and deliver tracks that translate completely to the world past your studio.
Using dual-opposing 9.5″ long-throw MSP+ Hybrid Drive models and 500 watts of Class D power amplifier, the 18S features a clever DSP that seamlessly tailors its efficiency to in style Dynaudio high-end monitors, for true full-range monitoring that may allow you to make better recordings.
For the 18S, Dynaudio designed a brand-new driver they name the MSP+ Hybrid Drive. It is made out of aluminum rather than the corporate’s standard magnesium silicate polymer. It is effectively a sandwich, with a paper backing and an MSP dust-cap on the front.
Lately, the efficacy of sandwich development has confirmed its worth for subwoofers, which generally require an extra critical steadiness between stiffness, lightness, and damping than normal speaker drivers. Apart from the technology underneath the hood, we can verify that the 18S’s performance is exemplary.
7. Kali Audio WS-12 12 inch Powered Subwoofer
The Kali Audio WS-12 is a subwoofer that’s ideally suited to the Kali Audio studio monitors. However, it additionally works nicely with different manufacturers of monitors. Take a look at the highlights before we take a more in-depth take a look at this studio subwoofer.
The Kali Audio WS-12 has loads to offer for both professionals and casual listeners. Plus with some added flexibility to be used inside a PA system, it’s an interesting subwoofer. Let’s dive into the small print to see what it has to supply.
The low-end is wealthy and full of plenty of punch. Laborious kicks and warm bass translate completely. Likewise, explosions and different particular effects in motion pictures are delivered with bombastic clarity. And that is likely one of the true highlights.
The frequency response of the WS-12 is at 30Hz-160Hz (±3dB) extending to 23Hz-160Hz (-10dB). Loads of reach here without distortion. Talking of reach the WS-12 tops out at 123dB Max sound pressure level.
Plenty loud for any studio scenario but additionally able to light PA work. It’s an attention-grabbing proposition. Usually, studio gear is only for the studio. This hybrid method gives loads of additional value since it may possibly pull double responsibility.
We are also enormous fans of the construct quality behind the WS-12. The 18mm Plywood cabinet is stable and strong. The textured end doesn’t entice fingerprints and does the job of minimizing scuffs and marks. The added steel grille is also added to guard the 12-inch woofer.
8. PreSonus Temblor T8 8 inch Powered Studio Subwoofer
The Temblor T8 is designed to be an everlasting unit for a project-studio or editing-suite monitoring system. With the usage of the Temblor’s built-in crossover, setup is a snap — merely plug the outputs of your interface, mixer, or monitor controller into the T8’s pair of balanced 1/4” TRS or unbalanced RCA jacks, then connect the T8’s TRS or RCA outputs to your nearfields.
The T8’s rear panel additionally gives a switch that allows an 80 Hz high-pass filter on the signal that you just route to your nearfield monitors. A low-pass filter rotary management unit is the higher end of the frequency range that the subwoofer will signify. In most cases, we preferred to set the LPF manually with the HPF off.
Because its crossover controls are positioned on the back, like on most subwoofers, the T8 is usually a little bit of a bear to tune, however as soon as it is right, it feels like it ought to be in-line all the time. This will help you get a dynamic bass response in correspondence with your studio monitors.
The front power indicator lights the T8’s PreSonus logo blue when powered on; whereas in sleep mode (in accordance with EU Power Efficiency Requirements) the logo is white. We love that we will simply leave the sub on the entire time (only consuming 0.5 W in standby) and never have to fret about reaching around the desk to seek out the power switch.
With a strong, but tightly managed, downward-firing 8” glass-composite driver, and a compact front-ported cabinet (slightly below 12” around all sides), the Temblor T8 gives a small footprint that will not get in the way bodily or sonically (when used with style and subtlety, after all). You do not see it or actually notice it; you simply feel it.
9. Focal Sub6 11 inch Powered Studio Subwoofer
The Focal Sub6 is a big volume cabinet design, outfitted with an 11″ woofer and a rear laminar port. This configuration ensures bass linearity regardless of the intended SPL.
The management board is extraordinarily versatile, with connectivity that permits a 2.1, 2.2, and multichannel use through the L/R inputs and outputs and the LFE.
The numerous settings such as the high-pass crossover devoted to monitors, the adjustable section, and stage management provide optimum coupling with the Solo6 Be and the Twin6 Be monitors.
And eventually, a small, however necessary point: the footswitch input. It permits one to attach a pedal to deactivate the subwoofer and the high-pass crossovers on the outputs that provide the monitors. This simplifies and enormously improves management during the totally different phases of monitoring.
On the rear panel, you will have a lot of controls which means you can make decisions about how you’d need different parts in the system to behave. A high-pass filter that impacts the L/R signals being despatched to the satellite audio system can simply be switched between 75Hz, 100Hz, or bypassed fully.
A low-pass filter for Focal Sub6 Be may be different continuously between 50Hz and 150Hz, supplying you with enough room to dial in how much of the low frequencies you need your Sub6 Be to deal with.
Focal has been creating the applied sciences of composite sandwich cones for more than 15 years. The “W” process (Glass/Foam/Glass), used on the SM11, SM8, and SM6 lines, offers a real optimization of the frequency response by advantageous tuning of mass, rigidity, and damping parameters.
The balance between these three elementary and infrequently contradictory parameters is on the basis of the excellent sound neutrality of the audio system.
10. Genelec 7350A 8 inch Powered Studio Subwoofer
In case you are searching for a subwoofer that can pair perfectly with Genelec’s active studio monitors, the Genelec 7350A active subwoofer is the perfect selection.
The 8-inch Genelec 7350A subwoofer is a compact powered subwoofer for 2.1 or 5.1 techniques when paired with the Genelec 8320A or 8330A studio monitors for each stereo and encompasses sound purposes in the studio and even at home.
The 7350A has a single 8-inch driver powered by a 150 W amplifier. It’s fairly highly effective for being an extra compact sub and may put out fairly high SPL within a 1-meter distance. The full frequency response range of the Genelec 7350A is 22 Hz to 150 Hz, which is a lot low and also you won’t be lacking any sub-frequencies.
The 7350A extends the low-frequency range all the way down to 22 Hz, which is made doable by the Laminar Spiral Enclosure (LSE) patented by Genelec. The Laminar Spiral Enclosure drastically modifications how high volume low-frequency vitality is delivered in a vital listening surrounding.
Due to the LSE, any points brought on by turbulence from the bass port on the chassis are totally eradicated, leading to a clean energy response with clear bass that has no distortion or inaccuracies.
The subwoofer can be absolutely geared up with Smart Active Monitoring (SAM) performance, the most superior and adaptable monitoring technology out there.
Genelec Loudspeaker Manager (GLM) software program permits for the effective adjustment of up to 30 individual Smart monitors and Smart subwoofers, whereas AutoCal compensates for detrimental room influences to completely calibrate your set-up on your listening surroundings.
Capable of a distinctive efficiency, the 7350A is the subwoofer of alternative for all studios and services where space and efficiency are of equal significance.
Things to Consider When Buying a Mixing Subwoofer
Crossover Frequency Control and Integration
The frequencies under the crossover are those that go to the subwoofer, and to get the perfect outcomes the crossover frequency should be on the level where your primary monitors begin to roll off.
Most big and small studio subwoofers include switchable crossover frequencies which make integration and matching to your primary monitors simpler.
This specification pertains to the range of frequencies that the subwoofer can deal with. For informal listening you may often need the lowest possible, however, for studio monitoring, a slightly larger frequency response is most well-liked for better readability, permitting you to essentially hear your recordings and make the right changes.
Matching Subwoofer and Studio Monitors
If you have already got studio monitors, your first selection for a subwoofer ought to be a subwoofer from the identical manufacturer and extra specifically from the identical line of studio monitors. The sub will already be tuned to fill in what your studio monitors are missing.
If the producers don’t have a subwoofer for the line of studio monitors you’ve gotten, at least attempt to get the closest factor from the identical model. If there isn’t any apparent match or something near it, then you need to make some correct calculations to seek out one which’s best for you.
Conclusion on Studio Subwoofers
Getting the best studio monitor subwoofer for extended low frequency and tight bass sound will complete your studio monitor system. Have your bass guitar sound a nice polish through a professional studio subwoofer and improve the sound quality for more responsive bass.
To achieve tight and responsive bass in the mixing stage, you need to have full-range monitors or pair them with a studio monitor subwoofer. When in search of the best studio subwoofers, you will need to look at many things; power rating, frequency response, crossover frequency, phase switch, RCA inputs and outputs, and more.
For your home studio to have balanced sound you need to check with a frequency spectrum and adjust to get the most accurate sound quality possibly. Getting the best sound quality in your music production should be your priority and even a small studio subwoofer will be enough.
Also to mention there are passive subwoofers that will need an external amplifier to feed them with power. Both active and passive subwoofers will be able to give you a flat frequency response and achieve what you are after.
If you are having any other questions in regards to this topic we covered here in the article, please let us know in the comment section and we’ll try to answer you ASAP!