Buyers Guide: Top 10 Multifunctional Dynamic Microphones + Reviews!

Top 10 Multifunctional Dynamic Microphones


Dynamic microphones are versatile and supreme for general-purpose use. They use a simple design with few transferring components. They’re comparatively sturdy and resilient to rough handling.

They’re additionally better suited to dealing with excessive volume levels, similar to certain musical devices or amplifiers. They don’t have any inside amplifiers and don’t require batteries or exterior power.

You can use a great dynamic microphone for all-purpose recordings, from percussive snare drums and cymbals to vocals and guitar amplifiers.

Dynamic mics are the right funding. In the event you have a tendency to switch between instruments throughout music sessions then they’re good.

Whenever you buy a dynamic mic you will not want to buy totally different mics for various instruments. The versatile use of the dynamic microphone makes it probably the greatest, most sought-after product available on the market. There are a lot of manufacturers to choose from.

Benefits and Disadvantages of Dynamic Microphones

A dynamic mic’s benefits outweigh its disadvantages.


  • They work effectively for purposes that call for a warm sound, corresponding to voiceovers.
  • They need no energy source. This makes them extraordinarily simple to use in a wide range of conditions.
  • They’ll endure loud volumes.
  • They’re rugged and may be very forgiving of all types of abuse.
  • They’re versatile and can be utilized for quite a few functions.
  • They’re water-resistant.
  • They capably deal with plosives.
  • Since they’re simple, they are often very reasonably priced.


  • They’re not best for recording delicate sounds.
  • They seize a restricted amount of high-frequency elements.
  • They’ll deal with recording harmonics.
  • Much less detailed sound.
  • You’ll have to be near the diaphragm to obtain a transparent signal.

We just want to let you know that we’ll list these Multifunctional Dynamic Microphones in no particular order. They’ll be randomized as we don’t wish to sort them from best to worst.

Listed below are our Top 10 Multifunctional Dynamic Microphones for 2023:

1. Shure SM 7 B

The Shure SM7B is a legendary dynamic moving-coil microphone that’s very best for close-proximity instrumental and vocal use in recording and broadcast studios. The product of a number of many years of acoustic improvement and analysis, this Shure microphone delivers a flat, clean frequency response packed right into a sturdy casing.

Between its dynamic range and clean, prolonged frequency response, the SM7B delivers a cultured and professional sound in nearly any room, why it’s so well-known within the broadcasting world.

The texture of this mic in the hand is somewhat dense; it doesn’t really feel fragile or lopsided. Weighing in on the heavier aspect at simply over 1.5 kilos and measuring 7 inches in circumference, the Shure SM7B requires a microphone stand with a good counterweight for correct support and isn’t constructed for handheld use.

Shure SM 7 B - Multifunctional Dynamic Microphones

  • XLR connector
  • Dimensions: 190 x 64 x 96 mm
  • Weight: 766 g
  • Includes switch cover plate and windscreen

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Shure SM 7 B

2. t.bone MB 7 Beta

The type designation already signifies where the journey is headed: The magical “7” refers back to the SM7B, and the designation “Beta” can be identified from Shure. The steel housing in satin black appears to be noble.

Like its role model, the t.bone MB 7 Beta is in a fork bracket and is mentioned from the front. The development is thus optimized for desk microphone arms generally utilized in broadcasts, however, can be mounted on an ordinary microphone stand. The microphone has a cylindrical form of 140 × 49 mm; this makes it round a 3rd smaller than its bigger model.

Acoustically, there are variations: The Shure SM7B has a fixed minimal lip hole because the capsule is set back 50 mm. With the t.bone MB 7 Beta, the capsule is surrounded by about 5 mm thick foam, instantly behind the opening. The position of the XLR output socket is also completely different. Within the MB 7 Beta, that is let into the back.

On the Shure SM7B, the output socket is connected to the tripod mount through a skinny cable. This minimizes the transmission of mechanical noises and creates an area on the back for 2 slide switches for sound design by reducing the bass or growing the presence. The MB 7 Beta doesn’t have any switches.

t.bone MB 7 Beta

  • Dimensions without bracket: diameter 50 mm X length 140 mm
  • Dimensions with bracket (L x B x H): 200 x 90 x 50 mm
  • Weight: 450 g

t.bone MB 7 Beta
  • Suitable for Broadcasts, Podcasts, studios etc.
  • Cardioid polar pattern reduces feedback
  • Built-in pop filter and shock mount for reducing vibration noise

3. Sennheiser E835

Sennheiser e835 is a price range mic of above-average quality that has a really distinct vast cardioid pattern. As such, it gives minimal proximity effect and it’s fairly forgiving if the expertise goes a bit off-axis. This mic may be very simple to deal with and it is going to be very best for presenters, churches, and different non-critical purposes.

E835 has a vibrant response and gives a powerful in-your-face presence, which makes it very simple to cut through, and yet the upper end lacks some transparency. It’s not too muddy and it’s not inferior to different mics on this worth range.

Most individuals won’t discover this, though a seasoned musician could get irked. It nonetheless outperforms the SM58 however the transient response isn’t that much better. The higher midrange is a bit bloated and will get outright harsh if it’s pushed too hard, particularly on these soprano harmonics that fall into a range.

Some folks won’t even want these costlier mics to sound good and as long as gain before feedback will not be a problem, this may show to be an excellent purchase. For tenors and sopranos, it’s additionally usable however it could lose some elements and get a bit edgy within the upper midrange.

Sennheiser E835

  • Impedance: 350 Ohm
  • Without switch
  • Dimensions: Ø 48 x 180 mm
  • Weight: 330 g

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Sennheiser E835

4. Telefunken M80 Black

Regardless of being in a really crowded field consisting of a very good variety of nice dynamic mics, the M80 manages to rise above the pack into a field usually occupied by rather more costly microphones. It won’t be as low-cost as an SM58 however in return you get a total better microphone.

With its extraordinary off-axis rejection, an impressively vast frequency range that includes clear, expressive vocals, and a rugged construct that’s made to last for years, the Telefunken M80 is a good microphone that melds glorious performance, versatility, and worth in a single excellent package.

The M80 is advertised as a fantastic vocal microphone that goals to surpass the ‘industry standard’ (in different words, the SM58) on each stage. From our personal expertise with the mic, it delivers. The frequency response is impressively vast with sufficient presence to assist vocals to cut through a mix without sounding muddy.

Whereas most live dynamic microphones are inclined to lack this mid-range readability, the M80 is ready to yield vocals that sound clear, correct, and polished. Whereas it doesn’t show a lot of proximity effect, the M80 nonetheless boasts a fantastic, full-body sound with loads of low-end response. Including a slight quantity of compression and a few EQ work made the M80 sound even better, rivaling dynamic mics that go for a whole bunch more.

Telefunken M80 Black

  • Maximum sound pressure: 135 dB
  • Length: 184 mm
  • Diameter: 48 mm
  • Weight: 387 g

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Telefunken M80 Black

5. Sennheiser MD421-II

The Sennheiser MD421 II is a dynamic mic that is designed to deal with actually loud sound sources, a lot so that they do not even list the max SPL of the mic. They simply talked about that 160dB could trigger some issues, nevertheless, it’s a sound stage that is very hard to seek out in actual-world conditions.

Whereas this mic is being marketed as a drum mic, many discovered that it really works actually nice with vocals, particularly loud male singers of rock, rap, metal, and similar kinds. Some even describe the MD421 as the mic that they’re going to select in case they have to choose only one mic to work with.

Industry standard and indestructible are two large words that had been dropped by customers who were very impressed with the mic. Experts cannot suggest Sennheiser MD421 enough, saying that it is among the most dependable and versatile workhorse microphones on the market at the moment.

Sennheiser MD421-II

  • Frequency response: 30-17000 Hz
  • Nominal impedance: 200 Ohm
  • Dimensions: 215 x 46 x 49 mm
  • Weight: approx 385 g

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Sennheiser MD421-II

6. Shure MV 7 Silver

The Shure MV7 is an approachable microphone that lacks buttons and switches; as an alternative, Shure outfitted the mic with a contact panel embellished by a row of LED lights to point to the gain stage. The panel additionally features a mic mute toggle for on-the-fly adjustments.

On the back of the physique, you’ll discover an XLR, micro USB, and headphone jack output. It features different, extra premium comforts found on the SM7B like adjustable frequency responses, although, with the MV7 you have to download the ShurePlus MOTIV app, whereas it’s built-in as hardware switches on the SM7B.

The touch panel appears to be cool, albeit somewhat misplaced on this traditional microphone design, however, we discovered it is much less effective than normal knobs, dials, and switches. It’s hard to make volume changes when talking because doing so requires two arms, one to carry the mic and the opposite to slip alongside the touch panel.

Though the method isn’t laborious, the issue lies in how touching the mic introduces undesirable noise into the recording. If it’s worthwhile to modify your gain, make certain that your mic stops moving before you begin recording once more.

Shure MV 7 Silver

  • Frequency response: 50 – 16,000 Hz
  • Microphone dimensions (X x L): 66.5 x 53.6 mm
  • Weight: 550 g

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Shure MV 7 Silver

7. Audix OM6

The OM6 is a dynamic vocal microphone used for live performances, studio, and broadcast purposes. The OM6 touts a broad frequency response, full-bodied and articulate sound replica, resistance to suggestions, and skill to deal with excessive SPLs in excess of 144 dB without distortion.

The OM6 has a good and uniformly managed hyper-cardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a clean, rising response between 2kHz -10kHz together with a flat, absolutely prolonged bass response from 60 Hz – 1 kHz.

This, along with a particularly tailor-made mid-range, makes the OM6 a wonderful selection for broadcast and live recording. Designed, assembled, and examined by Audix in the USA.

Audix OM6

  • Frequency response 40 Hz – 19 kHz
  • Maximum SPL: 144dB
  • Length 176 mm
  • Weight 307 g

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Audix OM6

8. Shure Beta 57 A

The Shure Beta 57A Microphone improves on the design of the favorite Beta 57 to optimize heat and presence. Many main performers use the Beta 57A mic to seize drums, guitar amps, brass, woodwinds, and vocals.

A wonderful super-cardioid pattern provides superior gain-before-feedback throughout its frequency spectrum. The grille is hardened for longer life and designed for close placement to reinforce the low-frequency proximity effect. An excessive signal-to-noise ratio is achieved by the use of a neodymium magnet construction, An inner shock mount decreases handling noise. 50Hz to 16kHz frequency response.

The Beta 57A maintains a real super-cardioid pattern all through its frequency range, making certain excessive gain before feedback, most isolation from different sound sources, and minimum off-axis tone coloration.

Its neodymium magnet achieves a high signal/noise ratio, and a totally new hardened metal mesh grill design enables you to take better benefit of the proximity effect. The grill resists put-on and endures abuse, too. The Beta 57A is an exceptionally versatile microphone, packaged in a sophisticated pneumatic shock mount.

Shure Beta 57 A

  • Frequency range: 50 – 16,000 Hz
  • Output impedance: 150 Ohm
  • Dimensions (L x Ø): 160 x 43 mm
  • Weight: 275 g

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Shure Beta 57 A

9. beyerdynamic M201TG

As a member of the M sequence, the M 201 TG embodies a pure sound replica like no different dynamic microphone. It reproduces signals with distinctive readability and element. These are the qualities that have led many individuals to pick the M 201 TG as an alternative choice to condenser microphones and enabled them to benefit from the strengths of the dynamic pendant.

The M 201 TG is a one-of-a-kind member of the microphone market, the results of this distinctive combination and the high-quality workmanship that defines beyerdynamic as an enterprise.

Within the studio or on stage – the exact sound replica that is brought to life by the exceptional linear frequency response of the M 201 TG generates a precise signal. It’s a signal that makes itself heard within the mix and opens up a world of post-production alternatives.

The small design of M 201 TG additionally allows the microphone to be simply positioned and provides artists the help they need in their quest to create good sound.

beyerdynamic M201TG

  • Frequency range: 40 – 18,000 Hz
  • Impedance: 200 Ω
  • Length: 160 mm
  • Weight: 220 g

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beyerdynamic M201TG

10. AKG D-7S

The AKG D7S reference dynamic vocal microphone creates the refined and open sound of a condenser capsule with the highly effective resonance of a dynamic microphone. The patented dual-layer Varimotion diaphragm can vibrate unhindered, which leads to a very crisp and clear sound.

The distinctive laminated materials damp excessive resonance peaks within the frequency response, which together with the tight, super-cardioid polar pattern allows the D7’s excellent high gain before feedback. This microphone consists of an on/off switch.

Its mechano-pneumatic capsule suspension and a built-in high-pass filter successfully eradicate dealing with noise. A precision steel dust filter gives constant safety for the diaphragm, making certain an extra-long life.


  • Sensitivity: 156 dB max. SPL
  • Impedance: 600 Ohm
  • Laminate Varimotion membrane
  • Weight: 340 g

  • With switch
  • Directional characteristic: Supercardioid
  • Frequency range: 70 – 20,000 Hz


You cannot go wrong with any of these microphones if you want to use them for multiple purposes in your studio or live on stage. They are durable and will deliver exactly what you are after – a microphone that can be used in many different spots depending on the requirements of the situation.

If you think that we missed some dynamic microphone that is really important to be mentioned in this article, please let us know in the comment section and we will try to incorporate it in some of our future blog posts on microphones.

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Nikoloski is the founder and main content writer and editor of Mixing Tips. With his experience in audio engineering, mixing, and mastering for over 15 years, will provide hands-on experience and expertise in all the matters covered on this website.

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